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Elizabeth harvest netflix1/19/2024 Production designer Diana Trujillo weaves mirrors, erotic art, foliage and velvet into connective tissue for a faultlessly cohesive free flowing canvas. The level of care and attention to detail including the gender-specific headfuckery of architectural theorist Adolf Loos and a colour saturation scheme governed by the varied shades of human blood is astounding. Yet due to meticulous planning, seamless set dressing and dazzlingly manipulated colour palettes, the spatial consistency is utterly frictionless. However, it was actually shot in four different houses, various stage sets and sports a CGI generated exterior. But it’s the production design that gives the picture its vitality and gravitas and elevates it above mere Neo-Giallo centric Argento aping.Įlizabeth Harvest looks to be unfolding in one location. The direction is crisp and retro looking with consistently fresh cinematography that nods enthusiastically in the direction of vintage European horror. The ethical conundrums of bio-genetics are addressed with minimal expositional fuss as is the catalytic motif of the autonomy of curiosity as a barometer of trust. There is also a stridently modernist feminist agenda at large as the film explores the mechanics of jealousy and madness within a wider framework of moral altruism. The timeline is non-linear and the unexpected flashbacks utilise smart visual clues and character-driven nuances to keep things coherent but do not expect a conventional narrative arc. It is strongly reminiscent of the sort of flick that would pop up periodically as a vehicle for some it girl or photogenic rock star during the 1970s. What storyline there is reveals its self to be genuinely dark in its thematic multi-layering, a pleasant surprise from the guy who wrote the screenplay for Snakes on a Plane.Įlizabeth Harvest drops us in at the deep end of a convoluted genetic mystery that appears to be taking place in an episode of Grand Designs directed by an early career Nicolas Roeg. The film is heavily weighted on the side of aesthetics over substantial plot acrobatics but what gorgeous aesthetics they are. Writer-director Sebastian Gutierrez’s slow-burn thriller is a complex arthouse affair that deals with obsession, the integrity of benevolence and the fragility of identity. Will nosiness get the better of Elizabeth and what will the consequences be? In a direct parallel to the folklore of The Bluebeard Myth, he explains to her that everything in the house is hers and all locations unrestricted except one forbidden yet easily accessed room. Brilliant but deeply troubled Nobel Prize winner Henry brings his stunning new wife Elizabeth into his equally stunning home.
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